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In keeping with my autobiographical vein, in this work I have placed in coexistence the stylistic element of humanoid figures without identity, a reproduction of one of my works from the figurative-minimalist period (a wheat field seen from a window), an unknown fossil and, finally, an authentic palette, as a reference to the manual and artisanal origin of art. In this work, I have fused conceptual art, objet trouvé, expressionism and minimalism… with unique materials such as acrylic, plaster, cement and wood. The result is a work that evokes a sense of autobiographical reflection and the citation of the materiality of art, inviting the viewer to explore the textures and nuances of human existence through a diversified and material visual interpretation.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition.
His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.