A tree has got its story
Pencil, Charcoal on Paper
14x11in
$1,010
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George-A. Makridis
Greece
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by George-A. Makridis
Artwork details
- Medium : Digital on Paper under plexiglas
- Framing : Framed
- Dimensions : 4.7x7.1in
About this artwork
I am using a point & shoot camera; looking through a tiny elmarit, as a painter would.
A critic talked about Rothko’s paintings seen as “buses”, large, simple, frontal, moving from within towards the viewer.
It's just a buss, seen sideways.
It doesn’t consist of horizontal planes. Colour is flat, but it isn't frontal. It is not moving towards the viewer. It runs parallel to the viewer.
The viewer may not be threatened by a "buss", but engaging… into simultaneous movement with a neighbouring vehicle constitutes also a threat, sharing a risk of moving into the urban environment.
The work is not enlarged. Size is small, deliberately.
It is a digital image using a popular medium. "Striped"rangefinder photography.
It is not about photography.
It's common practise.
Pausing a moving bus, turning it into "aesthetics", distorting actual context;
Which is it that distorts reality the most: aesthetics or artificial, human-made velocity?
A critic talked about Rothko’s paintings seen as “buses”, large, simple, frontal, moving from within towards the viewer.
It's just a buss, seen sideways.
It doesn’t consist of horizontal planes. Colour is flat, but it isn't frontal. It is not moving towards the viewer. It runs parallel to the viewer.
The viewer may not be threatened by a "buss", but engaging… into simultaneous movement with a neighbouring vehicle constitutes also a threat, sharing a risk of moving into the urban environment.
The work is not enlarged. Size is small, deliberately.
It is a digital image using a popular medium. "Striped"rangefinder photography.
It is not about photography.
It's common practise.
Pausing a moving bus, turning it into "aesthetics", distorting actual context;
Which is it that distorts reality the most: aesthetics or artificial, human-made velocity?
George-A. Makridis
Greece
Credentials
- Works on commission
George-A. Makridis, a painter and digital artist, was initially drawn to the canvas by his mechanic father. He adeptly manipulates oil, water-based mediums, and digital interfaces, crafting works that defy conventional forms while experimenting with collage and mixed media. His connection to the environment, physical and spiritual, interweaves his artwork, using instinct rather than philosophy. His work reflects an earnest attempt at bonding with the world, hinting at a quest for goodness, an ephemeral touch we strive for yet never truly grasp.
George-A. Makridis
Untitled
$330
