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This work belongs to my "40 Days" series. It is part of my reflection on wandering as an allegory for life. My husband appears as the solitary figure walking through the Tabernas desert, repeating the same simple ritual day after day. In that quiet monotony, small shifts emerge — changes in light, dust, gesture, and the steady presence of the dog beside him. The title echoes the idea of forty days in the desert as a period of stepping back to see… more clearly. These walks remind me how brief and fragile our existence is, like a grain of sand, yet full of meaning in the small movements that shape our days. Note: the size includes the frame; without the frame it is 14.8 × 21 cm. The work is fixed inside a natural wooden shadowbox frame and can be hung on the wall or displayed standing on a shelf. Ask for your 20% discount when purchasing multiple works from this series, except the Aguamarga painting. More works coming soon.
Gerda Van Damme's emotionally charged works—often in monochrome—have earned her finalist spots in prestigious competitions such as the Arte Laguna Prize (Venice), the Biennale Pierre Paulus, and the Prix des Arts Plastiques et Visuels du Waux-hall (Audience Award). Exhibiting across Europe and the US, including Berlin, Brooklyn, Ostend, and the Arsenale of Venice, she blends cinematic storytelling with existential inquiry. Van Damme’s practice is supported by multiple grants from cultural institutions in Belgium, affirming her role as a vital voice in visual arts.