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This small, nostalgic work portrays a young girl with a red paper sticker pressed over her mouth, a gesture once customary to enforce silence. The vivid red element stands out sharply against the warm, neutral tones of the face and background, intensifying the tension between innocence and suppression. It speaks to the stifling of spoken ambitions and silent dreams, asking what remains of them later in life.
Painted on a thin plywood panel, with… the wood subtly shining through the layers of oil, the piece plays with transparency and intimacy. Warm browns and slightly yellowish whites define the face, while deep black shapes the hair, evoking both sadness and childlike revolt.
Part of a series inspired by photographs from the 1940s–50s, the work reflects on the innocence of youth and the muted voices of time. Framed in a black wooden shadowbox, it invites reflection on freedom, memory, and the fragility of dreams.
Gerda Van Damme's emotionally charged works—often in monochrome—have earned her finalist spots in prestigious competitions such as the Arte Laguna Prize (Venice), the Biennale Pierre Paulus, and the Prix des Arts Plastiques et Visuels du Waux-hall (Audience Award). Exhibiting across Europe and the US, including Berlin, Brooklyn, Ostend, and the Arsenale of Venice, she blends cinematic storytelling with existential inquiry. Van Damme’s practice is supported by multiple grants from cultural institutions in Belgium, affirming her role as a vital voice in visual arts.