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“Nus”, like nudes, “Nous” like mind: these are two distant words both in terms of idiom (one French, the other Greek), and in meaning, joined together to name the exhibition in a game of assonance and of appeal having as reference the most recent photographic work of Giuseppe Persia, the result of an artistic journey that began in the mid-70s. This path stands out for the originality of the conception and the results that led the artist to create… in photography what is more easily obtained in painting or sculpture naturally using other types of materials. Persia, on the other hand, using for his compositions an old, glorious, brass relic from the 19th century, that is, a French optic and a 10x12 cm format camera, operated at a short distance from the chosen subjects, focusing the lens on certain details which, when enlarged disproportionately, they present themselves as "eidetic entities" that ignore reality.
Giuseppe Persia shapes light in analogue photographic works, immortalising reality with an almost pictorial approach. Explore the essence of the subject, redesigning the form through careful technique and artisanal development, in black and white that blurs the boundaries of the unreal. His images evoke subtle emotions and deep resonances, inviting a contemplative journey beyond the visible.
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L'urlo bicefalo
Giuseppe Persia
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