Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
39.4x47.2in
About this artwork
Time, Space and Memory II depicts a silent resonance chamber between the present and memory. Cool blues, light whites and grays, and dark, dense areas combine to create a composition that is simultaneously open, calm, and imbued with subtle tension. Delicate lines and pastel-like transitions lend the painting a fragile, almost ethereal atmosphere.
Between softly flowing layers of color, transparent overlays and gestural placements, an atmospheric… space emerges that describes less a concrete landscape than a feeling of time and inner memory – fleeting, changeable and yet palpably present.
The work was created using acrylic and pastel on canvas in several layers. High-quality artist materials and a protective varnish ensure lasting color intensity and surface quality.
Stretched on a stretcher frame and set in a high-quality white shadow gap frame – ready to hang.
Hella Ridder is a German painter whose work has been featured in national and international exhibitions and art fairs. She is self-taught.
The focus of her work is not the visible, but that which eludes it. Her images emerge from moments of heightened presence and develop layer by layer in the process.
Using acrylic on canvas, as well as brushes, spatulas and squeegees, she creates complex structures and depth spaces that change depending on the viewer's perspective and distance.
Her works are not classical representations, but emotional topographies – condensations of tension, stillness and movement.
Guided by the principle of "what remains unspoken," she makes visible conditions that cannot be fully captured through language.