Demencia
Acrylic on Linen
36x29in
$1,730
Framing
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Ian Mont
Spain
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Ian Mont
Artwork details
- Medium : Acrylic, Oil on Linen
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 36.2x25.6in
About this artwork
Yes, a dragon can also be a water dragon. This is a storm that comes from inland.
Catalan mythology is very rich. La Draga (water dragon in Catalan) appeared in the creation of Animales en Conflicto (Animals in Conflict). With this aquatic creature, I address the chaos of power. All power is ultimately chaotic.
Gold and silver run riot among the brushstrokes, creating total chaos on the canvas. The uncovered areas and charcoal lines reveal this… broken structure.
It's said to inhabit mountain lakes, all connected to the Mediterranean, like my soul, which cannot do without the sea. I've carried the animal as a guardian angel. This contradiction of chaos and protection made me reflect on life, which is chaos, but also protection and peace.
Catalan mythology is very rich. La Draga (water dragon in Catalan) appeared in the creation of Animales en Conflicto (Animals in Conflict). With this aquatic creature, I address the chaos of power. All power is ultimately chaotic.
Gold and silver run riot among the brushstrokes, creating total chaos on the canvas. The uncovered areas and charcoal lines reveal this… broken structure.
It's said to inhabit mountain lakes, all connected to the Mediterranean, like my soul, which cannot do without the sea. I've carried the animal as a guardian angel. This contradiction of chaos and protection made me reflect on life, which is chaos, but also protection and peace.
Ian Mont
Spain
Credentials
- Featured in gallery curations
- Works on commission
Ian Mont (Puerto Padre, 1972) paints the memory that exile fragmented.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
Ian Mont
Dragón de agua
$2,340
