Demencia
Acrylic on Linen
36x29in
$1,730
Framing
Make your artwork stand out
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Ian Mont
Spain
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Ian Mont
Artwork details
- Medium : Acrylic, Oil on Linen
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 36.2x25.6in
About this artwork
The Mediterranean Sea became my home years ago. Calella is the city I chose to live and work in. That's why this series couldn't be without a tribute to the Llopa (she-wolf in Catalan), howling from the past. Her symbol reminds us of ignorance and violence.
The legend is recent. In the mid-20th century, a farmer saw a wolf on his land. The community organized a hunt to hunt it. They killed it. But it wasn't a wolf, it was a large, escaped German… shepherd. Upon discovering their mistake, the people of Calella were filled with sadness. At the entrance to the city, there is a sculpture honoring it.
My homage is this painting, which speaks of the exercise of power and error. A swirl of gold and silver awakens this howl.
The legend is recent. In the mid-20th century, a farmer saw a wolf on his land. The community organized a hunt to hunt it. They killed it. But it wasn't a wolf, it was a large, escaped German… shepherd. Upon discovering their mistake, the people of Calella were filled with sadness. At the entrance to the city, there is a sculpture honoring it.
My homage is this painting, which speaks of the exercise of power and error. A swirl of gold and silver awakens this howl.
Ian Mont
Spain
Credentials
- Featured in gallery curations
- Works on commission
Ian Mont (Puerto Padre, 1972) paints the memory that exile fragmented.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
Ian Mont
El aullido
$2,340
