Umbral de piedra
Hybrid on Paper
31x24in
$1,050
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Ian Mont
Spain
Related collection
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17 pieces
Don't delay, there is 1 collector who is also interested in this work
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Ian Mont
Artwork details
- Printing : Hybrid on Paper , Other rigid frame under glass
- Framing : Framed
- Dimensions : 31.5x23.6in
- Edition : 10 / 10
- Artist's proof : 2
About this artwork
La calma engaña más que la tormenta. Este mar sedoso, esta bruma que disuelve el horizonte, hablan de ausencias más profundas que cualquier naufragio visible. La torre vigila un vacío que no necesita olas para ser abismo. En el azul mortecino y la luz difusa vive la soledad del que llegó: no la violencia del cruce, sino el silencio posterior, cuando descubre que el otro lado del mar también es exilio. Este paisaje liminal precedió mis liturgias solares,…
cuando aprendí que la travesía no termina al tocar tierra.
Edición limitada de 10 ejemplares numerados y firmados + 2 pruebas de artista. Impresión museo sobre papel Hahnemühle 100% algodón (80×60cm), marco de madera negro con metacrilato de museo antirreflejo y paspartú blanco. Certificado de autenticidad incluido.
Edición limitada de 10 ejemplares numerados y firmados + 2 pruebas de artista. Impresión museo sobre papel Hahnemühle 100% algodón (80×60cm), marco de madera negro con metacrilato de museo antirreflejo y paspartú blanco. Certificado de autenticidad incluido.
Ian Mont
Spain
Credentials
- Featured in gallery curations
- Works on commission
Ian Mont (Puerto Padre, 1972) paints the memory that exile fragmented.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
Ian Mont
Luces fantasmales
$1,050
