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“You know that feeling when an idea is right there, at your fingertips, almost formed, and about to slip away? You hold your breath. You become very still. And then — flight”
As an artist with aphantasia, I cannot see images in my mind. The camera functions as a prosthesis for my visual imagination, allowing me to finally see the complex emotional landscapes I feel but cannot internally visualize. This work is part of the “InnerSpace… Dreamscapes” collection, where dewdrops serve as metaphors for consciousness — a "me-idea" within a world of abstract concepts and deep emotions.
In this piece, a dewdrop on a blade of grass becomes a bird mid-flight, carrying a thread of spiderweb like a precious message. It’s a metaphor for how we hold fragile thoughts and those rare moments of sudden clarity.
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Studio Edition of 15.
Giclée print on Museum quality fine art paper, archival pigment inks.
Image Size 40x50 cm, paper size 43x54 cm.
Hand-signed and numbered
My artistic practice is shaped by aphantasia - the inability to form mental images - and my indigenous Chukchi heritage. Art for me is a tool for cognition. I can't see images in my mind, my inner screen is off. So the camera and the generative algorithm function as prostheses for my visual imagination, allowing me to find, create, and finally see what cannot exist in my mind's eye. Through macro photography I immerse myself in the micro-worlds of mosses, lichens, and dewdrops, entering a quiet dialogue with nature shaped by my Chukchi upbringing. Through AI-assisted digital art I explore what the lens cannot capture - inner archetypes and psychological states beneath the visible surface. I think of these digital works as fine art memes, providing visual experience and cultural meaning at once. What connects both is something I carry from childhood — the ability to feel into what I observe, to become the drop, the moss, the figure in the portrait, while keeping my own awareness intact.
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Aphantasia's Flight - studio edition
Inna Etuvgi
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