Poppy Petals - fine art print by Inna Etuvgi
Digital on Paper
17x17in
$710
Framing
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Inna Etuvgi
Sweden
Artist highlights
- Local Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Inna Etuvgi
Artwork details
- Medium : Digital on Paper
- Framing : Framing on request
- Dimensions : 16.9x23.6in
- Edition : 1 / 25
- Artist's proof : 2
About this artwork
NO, THANKS
“The heritage of my upbringing is addiction—I was shaped to crave those velvet, yet destructive hugs. Now, my goal is to choose what harms least and find the strength to refuse everything else. Saying no is part of this path.” — Inna Etuvgi.
In this work, the protective cone—typically used to prevent animals from self-harm—becomes a powerful metaphor for boundaries. It represents the conscious decision to step away from cycles of destruction,… even when such a choice feels alien or disrupts familiar dynamics.
Through the lens of Cybernetic Animism, Etuvgi bridges the gap between digital precision and raw human emotion, using technology as a visual prosthesis to manifest feelings that have no mental image. It is a work about clarity, self-respect, and the slow, courageous act of breaking old cycles.
_
Limited Edition of 25.
Museum-quality Giclée print on Canson Fine Art paper.
Image Size: 39.5 x 55 cm.
Hand-signed, numbered, and printed by the artist.
“The heritage of my upbringing is addiction—I was shaped to crave those velvet, yet destructive hugs. Now, my goal is to choose what harms least and find the strength to refuse everything else. Saying no is part of this path.” — Inna Etuvgi.
In this work, the protective cone—typically used to prevent animals from self-harm—becomes a powerful metaphor for boundaries. It represents the conscious decision to step away from cycles of destruction,… even when such a choice feels alien or disrupts familiar dynamics.
Through the lens of Cybernetic Animism, Etuvgi bridges the gap between digital precision and raw human emotion, using technology as a visual prosthesis to manifest feelings that have no mental image. It is a work about clarity, self-respect, and the slow, courageous act of breaking old cycles.
_
Limited Edition of 25.
Museum-quality Giclée print on Canson Fine Art paper.
Image Size: 39.5 x 55 cm.
Hand-signed, numbered, and printed by the artist.
Inna Etuvgi
Sweden
Credentials
- Local Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
My artistic practice is shaped by aphantasia - the inability to form mental images - and my indigenous Chukchi heritage. Art for me is a tool for cognition. I can't see images in my mind, my inner screen is off. So the camera and the generative algorithm function as prostheses for my visual imagination, allowing me to find, create, and finally see what cannot exist in my mind's eye. Through macro photography I immerse myself in the micro-worlds of mosses, lichens, and dewdrops, entering a quiet dialogue with nature shaped by my Chukchi upbringing. Through AI-assisted digital art I explore what the lens cannot capture - inner archetypes and psychological states beneath the visible surface. I think of these digital works as fine art memes, providing visual experience and cultural meaning at once. What connects both is something I carry from childhood — the ability to feel into what I observe, to become the drop, the moss, the figure in the portrait, while keeping my own awareness intact.
Inna Etuvgi
No, thanks - Studio Edition
$980
