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It's a striking work. It exudes a raw energy, typical of a "found object," clearly leaning towards abstract brutalism and assemblage. The way the worn white paint clings to the wood grain lends it a ghostly, architectural air, almost like a fragment of a lost civilization.
This work stands out for its materiality and texture, alluding to wabi-sabi, the Japanese aesthetic centered on the acceptance of transience and imperfection.
The peeling white… paint suggests a previous life, adding a layer of "narrative" without being literal.
The rough, vertical texture of the main body is juxtaposed with the clean, horizontal notches.
The piece is strictly geometric, but at the same time organic.
« I've always been interested in anything that smelled of creativity... »
It was while walking on a beach in Malaga as a child that Perdiguero found a beautiful blue stone on the sand and became captivated by colour. An autodidact painter with additional interests in lithography and textiles, her abstract pieces are marked by an inventive take on colour, light, and their dynamic interaction.