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I want to be honest about these pieces. I don’t want to prepare anything. I don’t want to prepare the paper, sharpen the charcoal, or later adapt the medium to whatever it might become. I want to deliver a sheet of paper filled with emotion, with intensity — and nothing more.
This is not an artwork for sale; it’s a pleasant afternoon that brings back many memories. I hope I’ve managed to convey that on paper.
For over two decades, my work has flowed between architecture and drawing, grounded in the belief that the true beauty of art lies in revealing its entire process. I work with charcoal, ink, and pastel—materials that expose everything: the crease in the paper, the accidental smudge, the broken pigment, the line that is never erased. These traces form the memory of the piece and give it sincerity and life.
My background in large-scale architectural projects influences the structure of my portraits and scenes, yet the drawings remain raw, intuitive, and open to discovery. Many begin without a defined destination, allowing the image to emerge through gestures, hesitation, and persistence. Each work invites the viewer to walk through the marks of its making, to see not only the final image but the path that shaped it. Nothing is concealed; every mark stays.