Aerials
Acrylic on Canvas
57x45in
$13,370
Framing
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Jean Marc Larhantec
France
Related collection
Exhibition Amplitudes - Jean Marc Larhantec
9 pieces
Don't delay, there is 1 collector who is also interested in this work
Artist highlights
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Jean Marc Larhantec
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 57.5x44.9in
About this artwork
This work, painted on Joy Division's album Closer, is imbued with a restrained, almost silent tension. Two dark, structured vertical forms emerge from a background rendered with broad, circular strokes. The whole piece exudes a contained gravity.
The black surface is not uniform. It is swept, striated, traversed by concentric movements that subtly capture the light. The central elements, denser and textured, seem both present and withdrawn, like… isolated fragments in an interior space.
The aim is not to illustrate the album's universe, but to translate its emotional tension. A distance, an active void, a minimalist architecture where each form becomes silence. The work does not depict melancholy; it establishes its frequency.
The black surface is not uniform. It is swept, striated, traversed by concentric movements that subtly capture the light. The central elements, denser and textured, seem both present and withdrawn, like… isolated fragments in an interior space.
The aim is not to illustrate the album's universe, but to translate its emotional tension. A distance, an active void, a minimalist architecture where each form becomes silence. The work does not depict melancholy; it establishes its frequency.
Jean Marc Larhantec
France
Credentials
- Favorited by galleries
- Featured in gallery curations
Jean-Marc Larhantec develops a painting constructed in resonance with sound.
Each work is born from an immersion in an album, whose rhythm, tensions and silences it transposes into matter.
His practice is rooted in physical and structured abstraction. The surface is worked in depth, through layers, loading and unloading, until unstable force fields are created, between equilibrium and rupture.
Painting is not an image: it is a space of tension.
The gesture engages the body as much as listening. It is not about illustrating the music, but about prolonging its effects, capturing an intensity and fixing it in matter.
His works are thus constructed in a constant oscillation between control and letting go, structure and accident, density and breath.
Each work is born from an immersion in an album, whose rhythm, tensions and silences it transposes into matter.
His practice is rooted in physical and structured abstraction. The surface is worked in depth, through layers, loading and unloading, until unstable force fields are created, between equilibrium and rupture.
Painting is not an image: it is a space of tension.
The gesture engages the body as much as listening. It is not about illustrating the music, but about prolonging its effects, capturing an intensity and fixing it in matter.
His works are thus constructed in a constant oscillation between control and letting go, structure and accident, density and breath.
Jean Marc Larhantec
After Closer
$13,370
