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Jean Marc Larhantec
France
Related collection
Exhibition Fréquences & Structures - Jean Marc Larhantec
38 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Jean Marc Larhantec
Artwork details
- Medium : Acrylic on Linen
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 57.5x44.9in
About this artwork
Painted in resonance with Radiohead's album "In Rainbows" (2007), particularly "Nude." Each canvas is born from an obsessive listening to an album: the rhythm, tensions, and silences of the music are inscribed in the material. Acrylic on linen canvas—a field of forces between balance and rupture.
Jean Marc Larhantec
France
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Jean-Marc Larhantec develops a painting constructed in resonance with sound.
Each work originates from an immersion in an album, whose rhythm, tensions, and silences he transposes into the material. His practice is rooted in a physical and structured abstraction. The surface is worked in depth, through layers, build-ups, and removals, until unstable fields of force are created, poised between equilibrium and rupture.
Painting is not an image: it is a space of tension.
The gesture engages the body as much as listening. It is not about illustrating the music, but about prolonging its effects, capturing an intensity and fixing it in matter.
His works are thus constructed in a constant oscillation between control and letting go, structure and accident, density and breath.
Each work originates from an immersion in an album, whose rhythm, tensions, and silences he transposes into the material. His practice is rooted in a physical and structured abstraction. The surface is worked in depth, through layers, build-ups, and removals, until unstable fields of force are created, poised between equilibrium and rupture.
Painting is not an image: it is a space of tension.
The gesture engages the body as much as listening. It is not about illustrating the music, but about prolonging its effects, capturing an intensity and fixing it in matter.
His works are thus constructed in a constant oscillation between control and letting go, structure and accident, density and breath.
