Sans titre
Acrylic on Canvas
29x21in
$6,460
Framing
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Jesús Alberto Benítez
France
Discover the creation in interiors
Other artworks by Jesús Alberto Benítez
Artwork details
- Medium : Acrylic, Ink on Wood
- Other details : Artwork on metal. Ready to hang. Framing on request.
- Dimensions : 19.3x13in
About this artwork
This painting approaches the support as a surface for recording gestures. It was created in two distinct periods between 2020 and 2024. It contains a superimposition of gestures and bursts of energy, as well as a space for silence.
"Thanks to an assumed fragility, Jesús Alberto Benítez gives a light and relaxed twist to the idea of construction, which would have serenely integrated the facticity, reversibility and disappearance of things. Overcoming… contradiction, intensification, floating character, oscillation, vibration, art of nuance, non-desire to grasp: these are some of the essential traits of the Barthesian neutral which thwarts binary logic and leaves meaning suspended."
Anne Bonnin, Trouble in the support, in A surge of reversibility, monograph.
"Thanks to an assumed fragility, Jesús Alberto Benítez gives a light and relaxed twist to the idea of construction, which would have serenely integrated the facticity, reversibility and disappearance of things. Overcoming… contradiction, intensification, floating character, oscillation, vibration, art of nuance, non-desire to grasp: these are some of the essential traits of the Barthesian neutral which thwarts binary logic and leaves meaning suspended."
Anne Bonnin, Trouble in the support, in A surge of reversibility, monograph.
Jesús Alberto Benítez
France
Jesús Alberto Benítez works in drawing, painting, photography, and installation, but the formation of the image seems to be the central theme of his oeuvre. His photographs emphasize the conditions of their creation. They show his studio, the tools, and the materials he uses. A recent series of photographs reveals fragments of his computer screen, showing the texture of the image in its digital file state. His drawings are often rudimentary: a few more or less spontaneous lines that seem to coalesce to form an image. His paintings are often simply the imprint of a gesture, such as covering or scraping. And his contribution to the project Dust: the Plates of the Present by Thomas Fougeirol and Jo-ey Tang, acquired by the Centre Pompidou, takes the radical form of photograms where a simple fold of paper, sometimes tapped against the enlarger, creates the image.
Étienne Hatt, The Image Challenged, Artpress no. 473
Étienne Hatt, The Image Challenged, Artpress no. 473
Jesús Alberto Benítez
Sans titre
$5,190
