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This digital photograph was created from a photogram. On the photogram, lines form a drawing. Traces of the development process are also visible as the ink dissolves in the developer. This piece explores the process by which an image appears.
The print was produced using pigment ink on very fine Japanese cotton fiber paper of archival quality. This image was created for the exhibition "Photography Tested by Abstraction" at the Centre Photographique… d'Ile-de-France in 2019.
"Heavily influenced by music, Jesús Alberto Benítez considers photographic prints as different possible versions of the same piece, hence the importance of a concrete studio practice that constantly integrates external contingencies and accepts manufacturing errors whose effects he voluntarily imitates."
Jesús Alberto Benítez works in drawing, painting, photography, and installation, but the formation of the image seems to be the central theme of his oeuvre. His photographs emphasize the conditions of their creation. They show his studio, the tools, and the materials he uses. A recent series of photographs reveals fragments of his computer screen, showing the texture of the image in its digital file state. His drawings are often rudimentary: a few more or less spontaneous lines that seem to coalesce to form an image. His paintings are often simply the imprint of a gesture, such as covering or scraping. And his contribution to the project Dust: the Plates of the Present by Thomas Fougeirol and Jo-ey Tang, acquired by the Centre Pompidou, takes the radical form of photograms where a simple fold of paper, sometimes tapped against the enlarger, creates the image.
Étienne Hatt, The Image Challenged, Artpress no. 473
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