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1983 is a central piece in the WOOD series, where the rigid geometry of the wooden block is disrupted by an incision of pure energy. The work utilizes the tonal depth of reclaimed industrial wood to create a void that seems to absorb the gaze, only to be challenged by a vertical line of warm light emerging from its center.
This work is a tribute to the concept of "dimensional rupture." The rough texture of the reclaimed wood lends a sense of "memory… of confinement" that resonates with the narrative of the piece. "1983" is not just a painting; it is the visual record of a moment of liberation, a necessary crack in a seemingly immovable structure.
Joaquín Acevedo is a visual artist whose work stems from a fundamental principle: to think and explore like a child. For him, art is not a rigid destiny, but a state of constant wonder where play is the artist's most serious work. From this perspective, his practice eschews labels or limiting styles, transforming ordinary materials like wood, Legos, moss, or cardboard into extraordinary pieces that function as an emotional diary.
This freedom has led him to explore live art, notably his participation in the Alto Sessions alongside artist Olivia García. He has positioned his work in global markets, with pieces sold in Miami, New York, Vancouver, and Kyoto, always highlighting innocence as the greatest creative force. Joaquín understands art as pure emotion and a bridge that needs no translation. In a world obsessed with the goal, he operates under his own certainty: giving oneself permission to play and to make mistakes—that is true triumph.