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1983 is a central piece in the WOOD series, where the rigid geometry of the wooden block is disrupted by an incision of pure energy. The work utilizes the tonal depth of reclaimed industrial wood to create a void that seems to absorb the gaze, only to be challenged by a vertical line of warm light emerging from its center.
This work is a tribute to the concept of "dimensional rupture." The rough texture of the reclaimed wood lends a sense of "memory… of confinement" that resonates with the narrative of the piece. "1983" is not just a painting; it is the visual record of a moment of liberation, a necessary crack in a seemingly immovable structure.
Joaquín Acevedo is a visual artist whose work stems from a fundamental principle: to think and explore like a child. For him, art is not a rigid destiny, but a state of wonder where play is the artist's most serious work.
His practice eschews limiting labels, transforming ordinary materials like wood, Legos, moss, and cardboard into extraordinary pieces. This freedom has led him to explore live art, notably his participation in the Alto Sessions alongside artist Olivia García, where he fused visual creation and spontaneity in real time.
Understanding art as "pure emotion" and a bridge that needs no translation, Joaquín creates an emotional diary that connects immediately with the viewer. This universal vision has taken his work to global markets, with pieces sold in Miami, New York, Vancouver, and Kyoto, solidifying an international career that celebrates the innocence and creative power of playfulness.