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In this piece, I merge the texture of cardboard with the rigidity of Lego to explore the tension between the structured and the primitive.
Fire emerges as a metaphor for the spirit—that energy that survives beneath layers of everyday chaos.
As if there were once a fire within each of us.
And although it may seem that only ashes remain now, when we dig deep we find an ember.
We blow on it, and it shines again.
From that ember we rebuilt the… fire.
The work is structured as a contemporary ritual: fragments of industrial plastic coexist with recycled material, symbolizing the reconstruction of the human in the midst of artifice.
Sit Around the Fire invites us to stop, to contemplate the inner flame that persists and brings us together.
Because, in the end, the only thing that matters—and the only thing we do for eternity—is sit around the fire.
Joaquín Acevedo is a visual artist whose work stems from a fundamental principle: to think and explore like a child. For him, art is not a rigid destiny, but a state of constant wonder where play is the artist's most serious work. From this perspective, his practice eschews labels or limiting styles, transforming ordinary materials like wood, Legos, moss, or cardboard into extraordinary pieces that function as an emotional diary.
This freedom has led him to explore live art, notably his participation in the Alto Sessions alongside artist Olivia García. He has positioned his work in global markets, with pieces sold in Miami, New York, Vancouver, and Kyoto, always highlighting innocence as the greatest creative force. Joaquín understands art as pure emotion and a bridge that needs no translation. In a world obsessed with the goal, he operates under his own certainty: giving oneself permission to play and to make mistakes—that is true triumph.