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Medium: Filler, oak frame
The science of perception uses the term distal stimuli for objects and events out in the world about you. As opposed to the proximal stimuli, which are the patterns of stimuli from these objects and events that actually reach your senses.
The painting shares the same measures and a similar composition with the famous work by Leonardo da Vinci.
In psychology, The Other is the radical counterpart to the self or the Subject.… It is defined in critical theory as everything outside, or different from, the male, western hegemony. The figure in the foreground of the paintings, occupying the space of Mona Lisa, is shaped like an empty dark space. It could refer to the Other, as hidden, or veiled. Or in contemporary discourse, the wish or demand to withdraw from the public gaze, by means of religious clothing as the niqab.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.