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In Akkadian, an ancient Semitic language, the word Erebu means "to go down, set" (in reference to the sun). This is believed by some to be the origin of the name for Europe. The land of the sunset as seen from the middle east.
In Greek mythology, Erebus was a primordial deity, representing the personification of darkness, born out of Chaos. The name Erebus is also used as a region of the Greek underworld where the dead… pass immediately after dying, a "place of darkness between earth and Hades".
The Erebu series is part of Spread, a compilation of works made by spreading the filler evenly in the frame using a scrape. This pushes it in a certain direction while it unfolds in a random manner.
Reminiscent of Richard Serra's Verb List I try to use simple and clearly defined actions to shape the filler in my works. This way there is always non-cognitive aspects of the production process.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.