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Lateral in this context means sideways. The works in the diptych are done with the left and the right-hand drawing in the wet filler simultaneously.
The human body, as most organic life forms are symmetrical around a centric axe. There is something uncanny about the mirrored shape that grows sideways in opposite directions apparently out of nothing. The mirror motif is common in horror fiction. Accordingly… to psychoanalyst Jacques Lacan, our sense of self develops by watching ourselves in the mirror and perceiving ourselves as objects in the world about us. Moreover, there is always something barred in our minds; the subconscious is never fully accessible. Parts of ourselves seems to exceed our subjectivity, belong to something external, out of reach, but at the same time influencing us.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.