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This work was produced through the TABLES Wishing Well event during the opening of the exhibition Shadow Government at Husby Konsthall outside Stockholm. TABLES is a series of participatory art projects where the visitors are invited to make different types of tracks in the wet filler in a frame standing like a table on the floor. The table is left as sculptural documentation of the event during the exhibition, and afterwards,… I complete the work in my studio. In this version, I instructed the participants to place small, round and perforated wooden chips in the filler. These had the same diameter as a human eye. Eyes was a consistent form in several of the works in the exhibition, which was about the experience of when what appears to be a natural order is, in fact, controlled by hidden forces. That is, about the relationship between power and visibility, about surveillance, about the desire for - but also to avoid - seeing and being seen.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.