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This work was done by jumping up and down in the wet filler inside a frame placed on the floor, wearing plastic clogs.
A child's outburst of rage when it does not get its way is something every parent need to handle. They usually decrease as the child gets older. This process of socialisation is very much about language. We teach the child to use words to express its will. But language also is part of defining the subject as such.… That is, to draw the boundary between the subject and the outside world that is fundamental to its existence. Arguably, this semantic demarcation is what constitutes the subject. When the child learns to express its will in words, it becomes an independent individual with a consciousness that distinguishes it from the outside world. Before this happens, the boundary is unclear. In a way, the child still experiences the world as a part of itself. Read more: https://www.jodsoderstrom.com/product-page/298-tantrum
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.