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128x192 cm (each panel 64x84cm) | Filler, oak panels, dowel pins, wool yarn, dried roses
My works are cast in oak panels using standard wall filler (not cement).
In this work, I made two drawings simultaneously in wet filler while the panels were placed on the floor: one with my feet wearing plastic clogs (sabot in French) and the other with a long stick. The finished work connects the stick drawing with wool yarn in a loose weaving pattern attached… to the sides of the panels. Three dried roses hang from the top edge.
This work was done during a residency at Fossekleiva Culture Centre, located in old factory buildings in the village of Berger, which once had a significant textile industry.
It expresses labour as a force of nature, entrapped and harnessed by the capitalist structure. It also hints at the gradual betrayal of the workers' movement by the trade unions and the labour parties.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.