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I made two imprints of my rear end to express my contempt for weapons, militarism and war. It is also a pledge for non-violence. If there were no soldiers, there would be no war. To simply sit down may be the most forceful weapon.
In times of turbulence, the willingness to take up arms grows for states and individuals both. It frightens me. It is easy to be a pacifist in peacetime, but it is even more important to stand… up against violence as a solution to conflict when it is presented as the only option. Propaganda seeps into private and public conversations. This work is not a call for surrender but an exploration of the possibility of denouncing the ideological conditions for war, refusing to cooperate in its activation and avoiding being controlled by power. To not act is sometimes an act in itself.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.