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This work features six folded cards with short descriptions of sounds. When exhibited, the cards can be shifted by gallery staff so the work can be experienced differently by visitors at separate times. The sounds are: Suspenseful music, Approaching footsteps, Background noise, Barking dog, Engine starting, Howling wind.
It was inspired by watching movies with subtitles for the hearing impaired. The fact that… written language can function as a substitute for audial or visual input intrigued me. There is something uncanny with a parallel line of information, not part of the image but at the same time influencing it, like a hidden demand that overrides the experience. I have chosen the sounds written on the cards and perhaps the image depicting a street corner to hint at a "noir" expression.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.