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Filler on board, oak panel
My works are not painted but cast in oak panels using standard wall filler (not cement).
This is the third work in the Stone Conversations series. The first part of being in a family is guided by instinct, while the offspring grow up. It’s described in the genetic code and is, in that way, a product of language. Not only does our conscious self use language, but our biological bodies and the subconscious do so. Language's… primary function is mastering material reality by introducing boundaries and structures. Family as a concept is also supported by language in inheritance, succession and various matters of law. These follow us through our entire lives. Other rules are unspoken but inscribed in culture; the things that are expected of us as family members. As such, family can be understood as a master signifier. It’s the part of language that can’t be deduced or rationally explained. That just is—the mute or blind spots of language.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.