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Filler on board, pine panel
My works are cast in wood panels using standard wall filler (not cement).
It’s natural to think of matter as a container of language. We use matter to carry messages — we speak, write, and broadcast through physical means. But I prefer to see it the other way around: language as a container for matter. The concepts and categories we use shape how we perceive reality; we experience only what we can hold in our minds.…
Language, as a container, is invisible. It gives form to the boundless, fluid material world without drawing attention to itself.
In my mind, the cylinders in the image are buckets holding the filler I use in my work. While still in the bucket, the material represents possibility; once the work is complete, possibility becomes actuality. Only one of countless potential forms can be realized. The buckets remain as leftovers, discarded like unrealized possibilities — words never spoken, stories never told.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.