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Filler on board, pine panel
Language is intimately bound up with desire. This becomes most evident when language is absent: we feel compelled to fill the void. At other times, however, we take pleasure in losing language, as a way of briefly losing ourselves and escaping the compulsive loop of self-consciousness.
Yet language does not only govern speech and thought; it also shapes perception. We do not perceive the world as it is, but through language,… by casting a web of meaning over it. Whenever we identify or present something, we also obscure what might otherwise be there.
There is no true escape from this, since the subject itself is constituted through language. Only rarely, perhaps by slipping outside self-awareness, can we encounter something different—though even then, we cannot know clearly what is being experienced, or who is experiencing it.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.