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The seed of this work was planted by witnessing banks being bailed out with public funds after speculating and enriching themselves at the expense of people's labor and effort. A political and economic collusion that treats us like donkeys, both intellectually and physically.
Against a black background, a donkey drawn in white lines stares back at us, like an unsettling mirror. Its legs dissolve, devoured by ferocious numbers, while on the rest… of the blackboard, barely perceptible details unfold, hidden in the shadows, hinting at a dark world that threatens and persists beyond what is visible.
This work, like the entire Cannibal series, transforms remains and precariousness into artistic language: the discarded becomes criticism, memory and reflection, inviting the viewer to confront the injustice and fragility of the world we inhabit.
Garcia Bel (Tortosa, Tarragona) is a visual artist and sculptor. He sees art as a form of awareness and resistance to the degradation of the planet. His poetic and powerful work reflects on the fragility of nature, the relationship between humans and their environment, and the transformative power of materials.
Trained at the Amposta School of Art and the Escola Massana (UAB), he works with recycled materials: iron, wood, stone, and plastic become metaphors of resistance and rebirth.
He has exhibited at the Aragó Gallery, the MUCBE, Les Aules, the Fundació Caixa Vinaròs or Art Beijing, and is the author of public works such as Transmutació (Vinaròs), Un bri d'esperança (Benicarló) or Intel·ligència naturalista (Sant Jordi). Folia i Prades 2023 Award.