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Jullia Kim
United States
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic on Wood , Wood
- Framing : Framing on request
- Dimensions : 12x12in
About this artwork
Bori is an one of pomeranian species. She is so gentle that he spends most of his time lying down or sitting down all day. One day, the side of Bori sitting and staring at somewhere was so pretty that I captured and invited her to be the main character in my work. I reconstructed the shape with air-dry clay on the wood canvas panel, and after drying, I finished it with monochrome acrylic paint. The reason for refraining from using color as much as…
possible is that it was considered not to fight against any interior concept, and it can be well harmonized with the modern and sophisticated atmosphere of current buildings, interior, and furniture
Jullia Kim
United States
Credentials
- Featured in gallery curations
- Works on commission
She was born and raised in Seoul Korea
Her dream, which began at the age of five, is to this day through continuous art education in the hope of becoming a wonderful artist.
In order to experience a new world of seeing and feeling things, she graduated from college in Korea and then went on to study in Baltimore, the U.S. After she finished her painting studies, she moved to New York and began to take an interest in a new field.
Thinking that modern art can be reborn as a higher-quality and practical art through mutual harmony rather than separating fine art and applied art, she enters an interior school to study substantive space in addition to painting in the United States.
After graduation, she returned to Korea and worked as an interior designer and art director at a major company, continuing her work activities.
Her dream, which began at the age of five, is to this day through continuous art education in the hope of becoming a wonderful artist.
In order to experience a new world of seeing and feeling things, she graduated from college in Korea and then went on to study in Baltimore, the U.S. After she finished her painting studies, she moved to New York and began to take an interest in a new field.
Thinking that modern art can be reborn as a higher-quality and practical art through mutual harmony rather than separating fine art and applied art, she enters an interior school to study substantive space in addition to painting in the United States.
After graduation, she returned to Korea and worked as an interior designer and art director at a major company, continuing her work activities.
