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Jullia Kim
United States
Related collection
Monday Blues: Animalia
19 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic on Wood , Wood
- Dimensions : 12x12in
About this artwork
Siru is one of the dachshund species and a beautiful hair holder who always shines. Her big eyes always give off a clear energy, but somehow, she has eyes that look a little sad. She was adopted by her owner now, abandoned by someone a long time ago and stuck at an animal shelter. Perhaps because of the trauma of being abandoned in the past, when she wakes up in the morning, sitting there and take care of all the family members one by one. It seems…
that you may abandon herself again and leave everyone.
Used air dry clay to emboss the relief and finish with one neutral color
Used air dry clay to emboss the relief and finish with one neutral color
Jullia Kim
United States
Credentials
- Featured in gallery curations
- Works on commission
She was born and raised in Seoul Korea
Her dream, which began at the age of five, is to this day through continuous art education in the hope of becoming a wonderful artist.
In order to experience a new world of seeing and feeling things, she graduated from college in Korea and then went on to study in Baltimore, the U.S. After she finished her painting studies, she moved to New York and began to take an interest in a new field.
Thinking that modern art can be reborn as a higher-quality and practical art through mutual harmony rather than separating fine art and applied art, she enters an interior school to study substantive space in addition to painting in the United States.
After graduation, she returned to Korea and worked as an interior designer and art director at a major company, continuing her work activities.
Her dream, which began at the age of five, is to this day through continuous art education in the hope of becoming a wonderful artist.
In order to experience a new world of seeing and feeling things, she graduated from college in Korea and then went on to study in Baltimore, the U.S. After she finished her painting studies, she moved to New York and began to take an interest in a new field.
Thinking that modern art can be reborn as a higher-quality and practical art through mutual harmony rather than separating fine art and applied art, she enters an interior school to study substantive space in addition to painting in the United States.
After graduation, she returned to Korea and worked as an interior designer and art director at a major company, continuing her work activities.
