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Kathrin Sehl
Germany
Related collection
Bodies for the sacred
18 pieces
Artist highlights
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Kathrin Sehl
Artwork details
- Medium : Oil on Cardboard
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 33.5x39.4in
About this artwork
In this series of paintings I am dealing with images of summit crosses, mainly from the European Alps. I collect photographs published online, separate them from their background and create a new pictorial space by superimposing several crosses. The combination of the different perspective views represents an interesting challenge for me. 'Summit 1' is painted with oil paint on thick cardboard. The work is signed and dated on the back.
Kathrin Sehl
Germany
Credentials
- Featured in gallery curations
Kathrin Sehl combines analogue and digital painting.
She works with ink, watercolor, acrylic, oil, and digital tools. In her paintings, she explores the interplay of form, surface, and volume—between two and three dimensions.
Central themes in her work are seriality, repetition, and the relationship between objects within a group. Through arrangement, proportions, and the play with empty spaces, a rhythmic web emerges – between reduction and superimposition, order and chaos.
In her digital works, Sehl utilizes a specially created symbol archive, which she uses like painting materials. With the help of a special program, she paints in translucent or impasto layers, both intuitively and structurally.
This creates visual worlds that appear abstract from a distance and reveal thematic structures up close – snapshots of a multi-voiced, finely composed world.
She works with ink, watercolor, acrylic, oil, and digital tools. In her paintings, she explores the interplay of form, surface, and volume—between two and three dimensions.
Central themes in her work are seriality, repetition, and the relationship between objects within a group. Through arrangement, proportions, and the play with empty spaces, a rhythmic web emerges – between reduction and superimposition, order and chaos.
In her digital works, Sehl utilizes a specially created symbol archive, which she uses like painting materials. With the help of a special program, she paints in translucent or impasto layers, both intuitively and structurally.
This creates visual worlds that appear abstract from a distance and reveal thematic structures up close – snapshots of a multi-voiced, finely composed world.
