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In this series, the artist has explicitly dealt with his roots.
Iran was and is a multi-ethnic state that has absorbed many diverse influences over the course of its history, but has always been able to maintain its own identity.
This is also reflected in the art of the artist, who wants to take his viewers on his individual series of explorations.
In this work, the artist exaggerated the great influence of the West in the 20th century on people… in the upper classes of large cities.
The works in this series all have no title. The respective work is thus brought to the foreground.
According to the artist, a title would distract and influence the viewer too much.
Acrylics, oil pastels, oil paint in the form of oil pens, felt-tip pens and markers were used.
In my artistic practice, I work predominantly figuratively and intuitively. My work is characterized by a dense, often deliberately overloaded visual language in which color, line, and form exist in an expressive tension with one another. Figures, signs, and surfaces overlap, creating open, emotionally charged pictorial spaces. From an art historical perspective, my work can be situated within the context of Art Brut, Naïve Art, and Neo-Expressionist figuration. My series of works do not develop linearly, but rather in parallel, reflecting different states, questions, and formal approaches. While series such as Rebels and Creatures are characterized by visual density, intense color, and gestural energy, more reduced series like Ghosts or the newly created Black Heads represent concentration and presence. With the series Abstraction it is, my work opens itself towards Expressionist abstraction while maintaining a consistent emotional connection to figuration.