Discover the creation in interiors
Artwork details
- Medium : Pen, Pigments on Metal , Wood
- Framing : Framing on request
- Dimensions : 11.8x11.8in
About this artwork
What a joy when the color flows again, the fairs open again, let's just celebrate life. ;O)
For Kerstin Schulz, colors don't just mean strength and energy. Schulz also asked himself the question of the shape of the color. Color is also a means of representation in her works, but above all it is a form-forming material. Schulz does not refer to traditional color symbolism, but instead experiments with the energy inherent in colors in her color oil… carpets, color waterfalls, color patchwork and color pouring. At Kerstin Schulz, color leads a life of its own, it experiences a sculptural statement in the work of art through the form. Form, color and content complement each other in their objects and merge into a single unit.
For Kerstin Schulz, colors don't just mean strength and energy. Schulz also asked himself the question of the shape of the color. Color is also a means of representation in her works, but above all it is a form-forming material. Schulz does not refer to traditional color symbolism, but instead experiments with the energy inherent in colors in her color oil… carpets, color waterfalls, color patchwork and color pouring. At Kerstin Schulz, color leads a life of its own, it experiences a sculptural statement in the work of art through the form. Form, color and content complement each other in their objects and merge into a single unit.
Kerstin Schulz
Germany
Credentials
- Major permanent collection
- Art Fair Participant
- Works on commission
« As an artist, I have the privilege (in my society) to be able to ask everything in an informal and playful way. This cultural achievement is both a blessing and an obligation. »
Kerstin Schulz is a multidisciplinary artist based in Germany whose works have been widely exhibited nationally, as well as in Austria, Belgium, Denmark, Poland, England, Japan, and Saudi Arabia. Her diverse works are marked by a questioning of "everything" and portray varying perpectives on values with a sense of appreciation. Schulz employs the use of
"Dionysian mass intoxication" as an effect, including "thousands of everyday objects".
"Dionysian mass intoxication" as an effect, including "thousands of everyday objects".