Discover the creation in interiors
Artwork details
- Medium : Pen, Pigments on Metal , Wood
- Framing : Framing on request
- Dimensions : 11.8x19.7in
About this artwork
Color Waterfall - color flows, is constantly in motion and so is the culture.
For Kerstin Schulz, colors not only mean power and energy. Schulz also poses the question of the form of the color. Although color is also a means of representation in her works, it is above all a formative material. Schulz does not refer to the traditional color symbolism, instead she experiments with the energy inherent in the colors in her color oil carpets, color… waterfalls, color patchworks and color pours. With Kerstin Schulz, color leads a life of its own; through the form, it experiences a sculptural statement in the work of art. Form, color and content complement each other in their objects and merge into a unit.
For Kerstin Schulz, colors not only mean power and energy. Schulz also poses the question of the form of the color. Although color is also a means of representation in her works, it is above all a formative material. Schulz does not refer to the traditional color symbolism, instead she experiments with the energy inherent in the colors in her color oil carpets, color… waterfalls, color patchworks and color pours. With Kerstin Schulz, color leads a life of its own; through the form, it experiences a sculptural statement in the work of art. Form, color and content complement each other in their objects and merge into a unit.
Kerstin Schulz
Germany
Credentials
- Major permanent collection
- Art Fair Participant
- Works on commission
« As an artist, I have the privilege (in my society) to be able to ask everything in an informal and playful way. This cultural achievement is both a blessing and an obligation. »
Kerstin Schulz is a multidisciplinary artist based in Germany whose works have been widely exhibited nationally, as well as in Austria, Belgium, Denmark, Poland, England, Japan, and Saudi Arabia. Her diverse works are marked by a questioning of "everything" and portray varying perpectives on values with a sense of appreciation. Schulz employs the use of
"Dionysian mass intoxication" as an effect, including "thousands of everyday objects".
"Dionysian mass intoxication" as an effect, including "thousands of everyday objects".