Discover the creation in interiors
Artwork details
- Medium : Acrylic on Linen
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 7.9x19.7in
About this artwork
John Martin’s painting ‘The Last Judgement’ is appropriated, fragmented, twisted and changed beyond recognition. Past beliefs are no longer accessible. Imagined visions are reimagined into an unstable, precarious and unpredictable world.
Larain Briggs
United Kingdom
Credentials
- Established Artist
- Works on commission
« I allow myself freedom in my work to experiment with technique and style and try not to be influenced by anything that I consider superficial. »
Larain Briggs, a British painter, embraces a multi-disciplinary approach in her artistic practice. Briggs currently resides on the East Coast in the
UK, where she is engaged in doctoral studies in fine art at the University
of East London. Inspired by Jungian concepts, her work establishes a dialogue with the unconscious, employing transformative processes to facilitate individuation. Grounded in Jungian theory, Briggs perceives the contemporary world, marked by radical shifts in philosophy, religion, science, and art, as an archetypal apocalypse, in line with Jungian theory, wherein humanity collectively confronts a global catastrophe of uncertain magnitude. Guided by a sense of awe and apprehension towards the escalating complexity of the digital realm, her research explores the meta-crisis and the digital sublime.
UK, where she is engaged in doctoral studies in fine art at the University
of East London. Inspired by Jungian concepts, her work establishes a dialogue with the unconscious, employing transformative processes to facilitate individuation. Grounded in Jungian theory, Briggs perceives the contemporary world, marked by radical shifts in philosophy, religion, science, and art, as an archetypal apocalypse, in line with Jungian theory, wherein humanity collectively confronts a global catastrophe of uncertain magnitude. Guided by a sense of awe and apprehension towards the escalating complexity of the digital realm, her research explores the meta-crisis and the digital sublime.