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In making this work, I expressed the warmth of early autumn and the coldness of the city in contrast.
This work captures the gentle and cozy emotions of early autumn by tearing and pasting hanji dyed in the colors of early autumn. On the other hand, the city’s forest of buildings made by tearing and pasting newspapers and waste paper symbolizes the cold and uniform appearance of the modern city.
Ultimately, ‘Early Autumn City’ is a work that vividly… contrasts the warm and emotional colors of early autumn with the cold and cruel appearance of the city. Through this contrast, I wanted to comfort and heal the busy humans of the city with the beauty of nature
Lee Yong-wook: Carving the Breath of Nature into Hanji
Lee Yong-wook is a contemporary artist who reinterprets Hanji (traditional Korean paper) to capture the raw vitality of nature. His work is a meditative journey, translating the energy of forests encountered during his daily cycling into physical layers of paper.
The hallmark of his artistry is 'Incision'—delicately carving hand-dyed Hanji with a blade. By layering paper and revealing hidden textures, he creates a profound contrast between material softness and sharp, rhythmic marks, imbuing the surface with sculptural depth.
Since 2019, Lee has collaborated with Gallery M at major fairs in Hong Kong and Busan. Recently, his reach has expanded via Singulart, where his work resonates with collectors across Europe. His signature series offers a sanctuary of tranquility, sharing a universal message of harmony and the enduring power of life.