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…although nothing can bring us back
the hour of splendor in the grass,
of glory in the flowers,
we should not grieve
because beauty always subsists in the
memory.
This small fragment of William Wordsworth's poem, Ode: Intimations of Immortality in the Remembrance of Early Childhood, the core plot of the 1961 film Splendor in the Grass, is the source that inspired this work, with which I try to convey that feeling of a mixture of nostalgia,… longing and reverie, of a crucial stage in life, that period of splendor and glory, that wonderful time gone by that will not return but that emerges again and again in our memory, memories filled with slaps of aromas, colors, sensations, experiences, sounds, words, of unique beings who left us forever leaving us the deep mark of their singular goodness and beauty.
Polychrome cedar wood sculpture.
My work is the result of a disruptive, subversive and eclectic process, without any pretension of an identity style, but rather the fruit of an insatiable, instinctive and bawdy creative process. With my sculptures I try to contribute from my smallness to unraveling the global web that holds humanity prisoner to cruelty and injustice, showing the reality that inspires me but not copied but modified, tortured or invented, dreamed, idealized or crushed, trying to move the viewer. What I try to do with my works is to bear witness to the present, this uncompassionate, reactionary, sexist, cruel, destructive and unjust present.