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Other details :
Artwork on wood. Ready to hang. Framing on request.
Dimensions :
18.5x11.8in
About this artwork
Here, death is neither morbid nor final — it is architecture. Skull layered upon skull forms an atlas of what remains when all embellishment is stripped away. The symmetry evokes ceremony, a visual chant carrying the histories of species overlooked and ecosystems threatened. As someone shaped by the deserts and coastlines of Namibia, I see in these bones a familiar fragility: the quiet warning embedded in landscapes altered by extraction and erasure.… This piece traces that tension, folding personal memory into an academic reflection on mortality, extinction, and the ethics of remembrance. To decolonise is to confront the violences that render certain lives grievable and others disposable. To conserve is to say that every life — animal, human, ancestral — deserves the dignity of ongoingness. Memento Mori becomes a gentle directive: remember, because forgetting is a luxury the earth can no longer afford.
Livia Schneider is a German-Namibian painter, installation, and multidisciplinary artist who works primarily in painting, printmaking, sculpture, and immersive installations—her practice shaped by formal art training in Cape Town and vibrant multicultural experiences in Berlin. She employs intuitive, process-driven techniques across organic forms and participatory structures, creating environments where materiality, repetition, and tactility invite introspection and reflection. Her artworks evoke deep feelings of connection, healing, and collective responsibility, encouraging viewers to experience art as a transformative, communal, and contemplative journey.
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