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Luigi Notarnicola
Italy
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490 pieces
Artist highlights
- Rising Stars
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
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Artwork details
- Medium : Acrylic, Collage on Paper
-
Framing :
Other rigid frame
under glass
Framed - Dimensions : 29.5x29.5in
About this artwork
Series of semi-figurative works, inspired by one of the recurring traits in the author's production: thorn hairs.
This series was born from the need to free the sign from an exaggeratedly categorical and meticulous technique that suffocates the nuances of emotional impulses.
The emancipation from the figure gives the line full autonomy and visual dignity, making it shine with its own light. In this way the segment becomes meaning, an expression… of uniqueness and multitude, of diversity and equivalence.
This series was born from the need to free the sign from an exaggeratedly categorical and meticulous technique that suffocates the nuances of emotional impulses.
The emancipation from the figure gives the line full autonomy and visual dignity, making it shine with its own light. In this way the segment becomes meaning, an expression… of uniqueness and multitude, of diversity and equivalence.
Luigi Notarnicola
Italy
Artist highlights
-
Rising Stars
Discover our rising stars. These early career artists have caught the eye of the art world. If you are looking for a promising investment, this section is for you.
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Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« The substance scandalizes me. I make fun of the shape. »
Luigi Notarnicola is an artist based in Italy whose work has been exhibited internationally. His art has been featured in publications such as Artribune, Quotidiano di Puglia, and Itinerari nell'arte.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
