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Majd Kara
Lithuania
Artist highlights
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 27.6x27.6in
About this artwork
This painting began as an exploration of deformation—my intent was to push the boundaries of the human form, distorting and fragmenting the face to a point where identity becomes unstable. As I worked, the process itself became a dialogue between organic imperfection and imposed order. The grid of pixel-like squares emerged almost unconsciously, echoing the digital language that now shapes so much of our perception.
The result is a portrait caught… between worlds: the analog and the algorithmic, the personal and the programmed. The face is both familiar and alien, its features warped by invisible forces—much like how our identities are increasingly filtered, quantified, and reshaped by technology. The title, “In Algorithm We Trust,” is both a statement and a question: How much of ourselves do we surrender to the systems we create? Where does human expression end and digital distortion begin?
The result is a portrait caught… between worlds: the analog and the algorithmic, the personal and the programmed. The face is both familiar and alien, its features warped by invisible forces—much like how our identities are increasingly filtered, quantified, and reshaped by technology. The title, “In Algorithm We Trust,” is both a statement and a question: How much of ourselves do we surrender to the systems we create? Where does human expression end and digital distortion begin?
Majd Kara
Lithuania
Credentials
- Works on commission
"Born in Syria, I discovered my passion for art early, leading me to a creative life that now spans continents. Since moving to Vilnius in 2016, I have embraced the contrasts between my new environment and my Syrian roots, fueling my exploration of transformation and melancholy. I earned my Bachelor of Fine Arts from Damascus University (2007–2011) and honed my skills through workshops and mentorships. My work interrogates presence and absence, using expressionistic color, form, and negative space to reveal the complexities of the human condition."
