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In “Intra muros et extra II,” I seek the moment when a doorway not only opens or closes, but also marks a state: inside and outside simultaneously. The eye falls upon a heavy, half-open door in a massive stone room—yet the actual “passage” remains ambivalent. Light enters from the outside, but is immediately refracted by pillars and shadows, as if the room were filtering, portioning, and controlling the outside world.
Formally, I work with a strict… staggering of walls: projections and recesses create an architecture of hesitation. The coloring is deliberately muted—not black and white, but an earthy, historical tone that emphasizes material and time. This makes the image meditative, almost frozen: it speaks of boundaries that are not only constructed, but also inscribed in the body as an attitude—a step forward that is simultaneously a pause.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).