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The background of the hybrid painting is made up of different locations in Lisbon. What they have in common is the contrast between the appeal of the morbid or the decay and that of the new, the beauty, the blossoming life. The call for independence or revolution next to noble 21st century architecture, next to graffiti that combines monsters, colorfulness and decay. The photomontaged fictional place is divided into individual fragments through abstract… overpainting. The oil-painted enlarged lilac blossoms connect the fragments with the overlay of a possibility that growth, blossoming and harmony could emerge in the midst of the original urban environment of opposites.
Maren Butzheinen, influenced by a family of artists and their background at the Düsseldorf Art Academy, draws on a repertoire that ranges from drawing and painting to photography and conceptual art. She creates impressive digital photomontages that are overlaid with abstract painting and graffiti, creating structures of deep ambiguity and complexity. Her seemingly surreal works, interwoven with an intense energy, resonate with allusions to the dissolution of the human spirit and promote a timeless, individual perception of the viewer.