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With "Adam and Eve," I began a series of large-scale works on silk. The silk is mounted on a special frame. The process is pastel on silk, with my own unique manual application technique, which makes the silk surface extremely receptive to color. The themes, once again explored and interpreted by "masks," metaphorically and theatrically retrace sacred and biblical myths. The suggestion is that, from the beginning of all time and every story, man… needed masks. For Adam and Eve, I looked to the position of a marble group in the Boboli Gardens in Florence. The support is Italian silk taffeta.
I was born in Rome and have a solid background in set design. I have worked as a set and costume designer with major directors in Italy and abroad. My imaginative world often draws on narrative. I use pastels on silk and fine paper, oil, mixed media, textural art, and digital art, blending classical roots with theatricality. Technical exploration and ongoing research are grounded in rigorous technical assurance. My works explore the concept of the "double" of the person, the mask, myth, and the sacred in a figurative style suspended between dream and metaphysics, animated by a joyful and powerful line. My creations convey a visionary force, yet I invite the viewer to find their own meaning in a living narrative. On my personal website, my detailed story: https://madeleoniarte.cms.webnode.it/chi-sono/ In 2026 I conducted research into the synchronous condensation of different "narrative moments" over time in a single work.