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An ostrich stands against a fractured, shifting landscape, its head pressed into the sand as if trying to escape the world above it. The work reflects a moment when global unrest felt overwhelming, when hiding felt easier than facing what could not be changed. It is made with cross‑polarisation and created entirely in camera, without any digital manipulation.
Arising from a lifelong fascination with photography, Marjon Trap employs an evocative eye and meticulous technique. She confesses to a repeated process of capturing and refining 'technically complex images' and rearranging using tweezers until the composition reveals its best self. Trap's fascination with the duality of fragility and glory is manifested in her exploration of aging flowers, challenging our notions of beauty and imperfection. Her frame teems with the 'harmonic dissonance' of nature's life cycle, capturing the ethereal beauty of imperfection and the transience of life.
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