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Medium :
Digital on Plexiglas , Alu-Dibond under plexiglas
Framing :
Framing on request
Dimensions :
36x36in
Edition :
1 / 5
Artist's proof :
2
About this artwork
In the "The Death of (tomorrow) II" series, Mark Engel pays homage to Andy Warhol's iconic Flower series from 1964, infusing it with a contemporary twist. Employing a digital neo-cubist style and alluding to glitch art, Mark utilizes algorithms to randomly modify colors and fracture the image plane. The resulting artworks exhibit a sense of digital disruption and distortion, reminiscent of peering through a broken mirror. Vibrant colors oscillate… between brightness and moody intensity, creating a striking visual contrast that adds an element of tension to the series.
Drawing parallels between Warhol's exploration of flowers as subject matter and his own digital creations, Mark offers a contemporary reflection on Vanitas and Memento mori themes within the realm of digital and generative art. Through this captivating series, he sparks a dialogue on the evolution and meaning of art in the digital era.
« My artworks function as abstract metaphors that resonate in an unconscious, gut-level way and deliver a quasi-remembered experience. The digital abstract forms convey poetic meaning, memory, and emotion. »
Mark Engel is an experienced artist based in the United States whose paintings have been exhibited nationally and in Brazil. Through his works, he explores contemporary artistic practices, art history, spirituality, the social and economic politics of his native Brazil, and general societal power dynamics. In his abstractions, Engel favors the use of opposing structures and concepts. He primarily creates digitally.
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The Death of (tomorrow) II, DCCCLVI
Mark Engel
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