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Artwork details
- Medium : Acrylic on Fabric
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 39.4x31.5in
About this artwork
Portrait 20
Acrylic enamel on canvas 80x100 cm
Without frame
(shipping/rolled canvas in cardboard tube)
Total size of the canvas: 92x114 cm
Portrait are a series of studies on the face and its metamorphoses. On the surface of the skin of the face the artist seeks an internal morphology of the spirit of the body.
The deformation present in the "Portrait" works expresses, through an architecture of signs, the impossibility of adapting to a definitive… form to keep alive a perennial play of forces in tension. MQ's works shake the viewer's perceptive system to open new avenues of sensitivity, without any intent to construct disturbing figures. A painting "that touches the nervous system" and can make something new concretely sensitive.
Acrylic enamel on canvas 80x100 cm
Without frame
(shipping/rolled canvas in cardboard tube)
Total size of the canvas: 92x114 cm
Portrait are a series of studies on the face and its metamorphoses. On the surface of the skin of the face the artist seeks an internal morphology of the spirit of the body.
The deformation present in the "Portrait" works expresses, through an architecture of signs, the impossibility of adapting to a definitive… form to keep alive a perennial play of forces in tension. MQ's works shake the viewer's perceptive system to open new avenues of sensitivity, without any intent to construct disturbing figures. A painting "that touches the nervous system" and can make something new concretely sensitive.
Massimo Quadrelli
Italy
Credentials
- Established Artist
- Works on commission
« ..it can be a show of something only by being a "show of nothing", piercing the "skin of things" to show how things get done, and the world world. -M. Merleau Ponty »
The world is no longer in front of him through representation: it is rather the painter who is born from things as if by concentration and coming to itself of the visible and the painting, finally, can relate to any empirical thing only on the condition of being first and foremost "self-figurative ".. it can be a spectacle of something only by being a "spectacle of nothing", piercing the "skin of things" to show how things become things, and the world a world.
(M. Merleau Ponty)
Lives and works in Milan (Florence/Italy 1978)
Massimo Quadrelli is an Italian artist whose paintings are present in several private collections nationally and internationally. His works are characterized by the stain, the shapeless and the gesture as a possibility of becoming. Fascinated by European informal and abstract expressionism, Quadrelli developed his own artistic language.
Create using different media: acrylics, charcoal, spray paint, pastels, stitching on paper or canvas.
(M. Merleau Ponty)
Lives and works in Milan (Florence/Italy 1978)
Massimo Quadrelli is an Italian artist whose paintings are present in several private collections nationally and internationally. His works are characterized by the stain, the shapeless and the gesture as a possibility of becoming. Fascinated by European informal and abstract expressionism, Quadrelli developed his own artistic language.
Create using different media: acrylics, charcoal, spray paint, pastels, stitching on paper or canvas.