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Lamentation is a direct response to Ribera’s painting of the same name. The exploration of these dark areas combined with a spatial expanse that reflects, and separates the use of the revealed. I made this with 28 gauge wire, acrylic paint on wire mesh and etched plexiglass -on oil painted canvas. The thin, dark wires used take on a life of their own as they are utilized to fasten the material in place. What has always been important to me is… revealing the history of mark making in my work - using transparent and translucent materials allows for this kind of reading. It should be noted that lying in the perimeter, outside the borders of the photo of these works are sections of fencing on which the wires are fastened.
Matt Cohen is an accomplished oil painter with a BFA from the School of Visual Art in NYC and an MA from UMass Amherst, who also teaches art history. He fuses modernist painting with experimental techniques, integrating wire mesh, plexiglass, and drawings to create layered assemblages. His style combines references to masterworks with intuitive explorations of process, revealing the visible history of decision-making. Cohen’s work radiates an intricate sense of time’s flow, evoking profound introspection about presence, memory, and the emotional resonance of personal history.
Comment from my solo exhibit in Northampton, MA, 2024: " This is the best work done in the Valley in a very long time." Jamie Young, recognized and respected artist. My website: mattcohenpaintings.com